父权制的阴云浮游在每个人的头顶阴云间的罅隙透出几缕清澈的光亮而这父权的阴云依然幻化为夫权人妻JAPAN HD XXXX VIDEOS甚至是子权女性身不由己地辗转其间男子气概的缺失未尝不是大有裨益的事情至少世界少了几分攻击性丰饶的子宫诞生一个又一个女儿贫瘠的子宫饱受寂寞的清苦而这些子宫的主人只有成为子嗣的容器时才会显形妯娌在葬礼上的爆发昭示着理智与悲伤都无济于事愤怒才有千钧之力蒙塔兹的死是必然的她的“解放”注定了她要死去如果电影给了她生的结局未尝不是隔靴搔痒的绥靖
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I was expecting something properly controversial here with all that fuss, instead I saw the safest, perhaps most unoriginal way of making fun of the Nazis. Scarlett Johansson's character, with a perception that's clearly modern and new, is completely out of place. The entire Nazi environment depicted in the film was made up purely of the writer's tabloid, superficial (mis)understandings of Nazism. Filled with hackneyed symbolism and plain kitsch, there's absolutely nothing bold or adventurous in this film (the only 'good' nazi has to be a gay, how surprising). Anyone who says this film works against political correctness doesn't know the first thing about contemporary politics.